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313 - Beyond The Pale
Writer/Director Lawrence Hertzog / René Bonniere
Michael's POV

Onscreen:
22 minutes

Michael is passed over for promotion to Head Strategist in favour of Zalman, and goes to Nikita’s apartment to tell her of his plan for them to escape from Section. On the next mission, Michael and Nikita disappear to a remote farmhouse, Michael’s own, where he reveals his hitherto unseen domestic skills. Recaptured by Zalman, Michael is tortured but refuses to give up Nikita - until Zalman threatens his son, Adam. At the farmhouse Zalman attempts to kiss Nikita just before he kills her, only to feel a gun in his back – it’s Michael. The whole thing, including Michael and Nikita’s escape, has been an elaborate set-up to expose Zalman as a Red Cell mole. Later, at Nikita’s apartment, they begin to set some ground rules for their relationship.
Michael Moments Michael’s new mission gear – brown cord jacket and brown jeans
The look Michael gives Nikita as he tells her he wants her (not shown in every transmission)
Michael chopping veggies, bringing in firewood, and keeping Nikita warm – with a blanket
The sweaty tortured Michael look – is there any other actor who can carry this off so well?!
The raised glass to Nikita – and the raised little finger, right-hand – pure Roy!
Words of Wisdom "In Section you either move up or move out." (not shown in every transmission)
"I don’t need you, I want you." (not shown in every transmission)
"I saw it when we were doing aerial reconnaissance." (Doesn’t seem like much written down, but just listen to Roy saying "reconnaissance.")
"There’s still a lot of things you don’t know about me, maybe it’s time you learnt."
"Let’s not think about the future, let’s just enjoy this while it lasts."
"I liked it there."
Performance Rating
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The Season 3 episode that sent the Hopeful Romantics into Blissville. Every schoolgirl’s dream date, Roy gives us a Michael who cooks, shops, withstands torture (for a while), but still manages to let Nikita keep her thermal knickers on while sleeping in the same bed. A rare chance for Roy to hint at Michael’s New Man credentials, and even an in-joke for the fans about his real-life living accommodation, but we wonder what he thought about rehashing the same old lazy plot device as used in Slipping Into Darkness only 3 episodes previously? The excuse of concealed cameras to make everyone elaborately act out every step of the deception is lame to say the least. (The charade in the truck, which Zalman couldn’t possibly have overheard, never made it to the export version.) However, we have the consolation of the tag, a further step in the acceptance of Nikita into Michael’s life. Totally convincing, even though the poor boy does sound as though he was recovering from a cold.

312 - Threshold of Pain | 314 - I Remember Paris
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